Features

The Dutch weirdos are at it again. Can you keep up?

The London space black metal-oriented festival blew already high expectations away.

Woe songwriter and main man Chris Grigg discusses the intricacies of his latest opus and tackling it on his own in a new interview.

We talked to Filth is Eternal (fka Fucked & Bound)‘s vocalist Lis DeAngelo about the band’s new record and what they’ve been up to since the Pandemic.

Here’s all the new metal that’s released and is releasing between September 17th and September 30th—Spin (or skip) new music from Cannibal Corpse, Wolves in the Throne Room, Harm’s Way, and more.

Check out photos from the long-running sludge band’s recent show in LA as they celebrated 30 years of “Take As Needed for Pain.”

In an exceptionally rare interview, Vlad Tepes member Wlad Drakksteim reflects on his legacy after decades of silence.

Though dungeon synth isn’t huge in Japan (or arguably, anywhere?), it could be: the country has an interesting history of globally-inspired ambient music. This in-depth article digs into that history and how dungeon synth interlaces with ambient music overall.

The Hexvessel (and once DHG and Code frontman, among others) discusses the band’s seismic shift to a more black metal-oriented sound on their upcoming record, “Polar Veil,” in a new interview.

As Thantifaxath prepares to embark on a US + Canada tour, we take a look at their latest record that teeters on the brink of madness.