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"Damage, Inc." was the beginning of an end for Metallica. It was their last song with Cliff Burton, and the last straight-ahead thrasher in their discography. The band would hit mighty heights in ...And Justice for All, but this was Metallica's last connection to the "don't give a fuck" vibe of Kill 'Em All. From here on, anxiety dominated.

It's difficult if not unwise to read deeply into this song. Sometimes metal should just be a knife up the ass, and "Damage" is Metallica at their sharpest. The ultra-tight rhythm chops (I love the reverse gallop cutaway at 3:14 after the second chorus), the seemingly endless succession of great riffs, Lars Ulrich's subtle beat variations - it's all solid gold metal. The song perfectly represents its subject matter. You've written dozens of metal anthems, you have Cliff Burton in your corner: you are Damage Incorporated, indeed.

In a way, this song's perfection almost mandates something like ...And Justice for All. It doesn't mandate a tragedy like Burton's death, but it does beg for a change in tack. Slayer realized they couldn't top Reign in Blood, so they slowed down on South of Heaven and kept things interesting. I wonder if Metallica underwent any similar "where do we go from here" assessment. From here on, they were certainly fond of burning things down and starting anew - though perhaps they were just searching for lost selves.

Upon seated re-examination - difficult given the song's incitement to violence - two small but significant details stand out. First is Hetfield's melismas on the last word of every fourth line during verses: honesty, end, cure, fall, hunt, please. They add tension and flavor; whoever's idea that was, it was brilliant.

Second is Cliff Burton's last hurrah, the spacey intro. In this interview, he says, "It's about eight or 12 tracks of bass, a lot of harmonies and volume swells and effects and stuff". Bass solo, take eight or 12. Watching that evolve must have been magical.

— Cosmo Lee

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"Damage Inc."

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METALLICA: THE FIRST FOUR ALBUMS

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