. . .
Barbarians have shown up on dozens of heavy metal album covers over the years. Oft times the barbarian is a reference to or variation on Robert E. Howard’s characters, especially Conan. Heavy metal is so often fantasy in various forms, and Conan is an appealing fantasy.
Conan is an outsider. He’s cunning. He’s tough. He represents freedom, self-determination, and control of one’s destiny. He’s a magnet for women. These are all qualities that inform heavy metal and themes that run through it. Heavy metal is so often seen by the mainstream as violent, crude, and barbaric. It’s outsider music for outsiders.
I’d be lying if I said that I didn’t want to possess Conan and co.’s ‘barbarian’ qualities in greater quantities myself. However, the barbarian’s appeal to heavy metal goes beyond thematic qualities. I always found Conan and his barbarian brethren more fun than the Lord of the Rings trilogy. If Conan had been in Lord of the Rings, it would have been 50 pages of Conan slaughtering his way across Middle-earth. He’d stop to boff Arwen, quaff a gigaliter of ale, and then he’d toss Frodo and the magic jewelry in the volcano.
Howard’s barbarian short stories were axes to the skull. These album covers show why barbarians are appealing to heavy metal. Most are tributes to Frank Frazetta. Each one tells a story. And each one’s an axe to the skull.
. . .

Heavy Load – Death or Glory
Heavy Load are the OGs of barbarian album covers. Three of their four studio efforts depicted barbarians.

Manowar – Hail to England
Hail to England is the first Manowar album to feature a burly, shirtless, barbarian. I love how cartoonish he is. Like Lemmy and Babe Ruth, he probably subsists on beef, beer, and babes.
Barbarians were depicted on these three ’80s German thrash album covers, and I have no idea why. Thrash was barbaric, but it wasn’t about barbarians. Endless Pain is the best of the bunch by far. I’d love to have a poster of it.

Manilla Road – Crystal Logic
Glowing triangles! While it’s by no means great art, I love Crystal Logic for the story it tells. Either the barbarians are going home, or they have just found their next target. I prefer the latter. Summon the horde!

Manilla Road – Spiral Castle
Technically, this is better art than Crystal Logic’s cover, but it’s still second edition AD&D grade cheese. That doesn’t bother me. It looks like a scene from a video game I want to play, or the cover of an album I want to listen to.

Loudness – Disillusion
Loudness are Japanese, but this barbarian is a Howard style barbarian, equipped with Medieval European style weapons and armor. Is he climbing some kind of volcano? I’d like to know how Loudness encountered the barbarian character construct.

Tyrant – Mean Machine
Typically, Conan saves the damsel in distress. Therefore, this cover presents a conundrum. Is our Conan-clone swearing revenge for failing to save his lady friend? Or is he celebrating a foe’s demise? Either way, this one doesn’t quite fit the Conan stereotype.

Saxon – Crusader
I’d like to inject a moment of seriousness into this post by asking who the barbarian is in this picture. “If the barbarians are destroyed, who will we then be able to blame for the bad things?” – attributed to Angela Carter

Danzig – Thrall-Demonsweatlive
Typically, Conan saves the damsel in distress . . . when Matti Kärki hollered “Bitch!” he must’ve had this lady in mind.

Battlerage – True Metal Victory
Battlerage’s official mascot is a barbarian who always brandishes an enormous axe. Look at the hand-guard on that axe! This is pulp, but pulpier than Howard ever was. For some reason, the Battlerage barbarian has acquired a skeletal head on this cover.

Angus – Warrior of the World
The “most Conan” of the bunch. Perhaps it is the aftermath of the battle in The Frost Giant’s Daughter?

Ironsword – Overlords of Chaos
If barbarian metal is a microgenre, then Ironsword are one of the half-dozen or so bands that fall into it. This cover’s got it all: bare-chested blade-bearing barbarians, bare-chested busty babes, and a demon-looking thing that will soon have 4 feet of steel parked in its chest.
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May I add Bolt Thrower’s War Master, the record sounds as it looks!
If Conan had been in Lord of the Rings, it would have been 50 pages of Conan slaughtering his way across Middle-earth. He’d stop to boff Arwen, quaff a gigaliter of ale, and then he’d toss Frodo and the magic jewelry in the volcano.
—this made me laugh out loud at the office ! would make for a great movie too.
and 3 Inches of Blood’s advance and vanquish!
I just want to add that Loudness – “Disillusion” is one of my favorite heavy metal albums of all-time. It is very nearly sheer perfection in my mind.
OK, I don’t know what happened to the comment I just posted, so sorry if this is a double-post. But how could you forget Dust’s Hard Attack (1972)? (link)
Well, consider me educated, I’d never heard of Dust before. That cover is fantastic. It HAS to be a reference to The Frost Giant’s Daughter.
I left off Ignitor’s The Spider Queen for brevity’s sake. It has a Cher cameo: http://www.metal-archives.com/images/2/4/4/3/244337.jpg
Marky Ramone played drums on that Dust album. He was only sixteen years old.
The closing song, “Suicide,” is also fantastic. The rest of it’s not bad either, but that track is a beast of a catchy tune.
“It HAS to be a reference to The Frost Giant’s Daughter.”
These are the Conan books I read as a kid.
hmm, link didn’t show up…
http://www.amazon.com/Conan-02-Of-Cimmeria-Series/dp/0441114539/ref=sr_1_42?ie=UTF8&qid=1336143254&sr=8-42
My local used book store has a lot of those, plus a ton of Tarzan and Kull the Conqueror. I should pick some up.
The Dust cover art is a Frazetta painting called ‘Snow Giants’, which was also used as the cover for Conan of Crimmeria
Dude, where’s the infamous Molly Hatchet barbarian? What was the album…flirting with disaster?
Great call there. Looks like they’ve used Frazetta and Vallejo.
I’ve never listened to Molly Hatchet. Based on their art alone, I’m going to give them a chance!
Molly Hatchet have the best art… but they’re not really metal. The covers are a bit misleading for the southern boogie contained within.
the first 3 Molly Hatchet albums were Frazetta, the 4th was Vallejo
Awesome collection. One classic is missing though: Alabama Thunderpussy – Open Fire. Conan wilding a fucking flail!
Great post! I can almost hear the lamentations of their women!
That Vendetta cover looks less like a conquering barbarian, and more like a barbarian who is having an argument with his girlfriend about going out with the guys to slaughter and pillage yet again and doesn’t he know her parents are going to be in town and why can’t he just stay at home and spend some time with her for a change?
The lamentation of his woman! That’s classic. I’ll never view that cover the same way again.
Is Virgin Steele’s Noble Savage twink power metal? ;p
http://1.bp.blogspot.com/_137H7sdqkLQ/SyGdRL8Z5TI/AAAAAAAAAlI/vr8RS_85fhQ/s400/VirginSteele-NobleSavage-Front.jpg
LMAO +1
Wow . . . .
Don’t they know it’s a lot less gay to have an artist’s depiction of a mostly-naked dude with a sword (admittedly a phallic symbol) than a photo of the same?
I once saw something on the homoeroticism of Nazi propaganda art. There’s a couple of books’ worth of material on the same in metal.
On the other hand, I think you have to read homoeroticism into the ultra-manly stuff. I don’t think it’s necessarily there just because it’s a half-naked dude. Am I wrong?
I think it’s still there. If viewers respond with a thrill to images of powerful masculinity, I’d say eroticism is a feature of that thrill. Doesn’t mean guys are hiding secret boners and homosexual lust, necessarily. I’d say it is similar to the way a woman might be excited by images of sexy women in advertising or film, for example. There is an erotic component to the excitement, but it does not equal a desire for sex with what is depicted.
I’d be interested to hear other opinions. C.S. Lewis, in his space trilogy, posited the ideas of angels which are purely/perfectly masculine and purely/perfectly feminine without being male and female. They embodied those things without sex itself. Whether that’s just a writer’s fantastic idea I don’t know, but eroticism implies an aspect of sexual excitement. If you admit it’s not necessarily causing a boner, so to speak, then is it still sexual? I’m just asking the question, I don’t claim to have the answer.
No Gates of Slumber? Their early album covers are just as good as any of these
“Conqueror” was also a fantastic cover but they’ve now retired the barbarian theme.
I hope the next installment is about metal dudez who flaunt their junk, ie; Profanatica and Taake.
http://3.bp.blogspot.com/-FY9omroIbGA/Tbcs139uYTI/AAAAAAAAP0s/pOKGkP72PX8/s400/Profanatica.jpg
http://www.themetalcircus.com/images/noticias/taake_copy1.jpg
Carm, I’ll let you handle that one…
Heh, handle that one.
http://www.youtube.com/watch?v=kD_xWrhZ8yI
I’m not a fantasy guy. Gimme sci-fi over fantasy, which except for a few, metal ignores. Even for a metal fan, I find most of this kind of stuff utterly ridiculous, laughably stupid at best (not the artwork per se, the co-opting of it) Yet, metal bands continue with this shit. Reality, and the modern world for that matter, are much scarier. A Caucasian in a business suit scares me more than one in a codpiece.
Who says they were supposed to be scary?
but lol @ that “caucasian in a business suit” part
I’ve always thought escapism to be a necessary part of metal. Reality is only scarier because of a lack of imagination.
I’m assuming that when you refer to co-opting, you’re referring to fantasy tropes in general. Bands co-opt this stuff, and people read this stuff, not only for the escapism, but because like sci-fi or any fiction, it can help us learn about ourselves.
For example: you think a Caucasian in a business suit is scarier than one in a codpiece. How do you think we got to wearing business suits? Because our predecessors wore codpieces and did the same shit they do now that makes them scary today. Now, throw in some magic, and you’ve got a recipe that can work just as effectively as sci-fi.
Howard’s writing in particular has smart themes in it. You can see Conan as a sign of what the individual can achieve. Look at the qualities I listed above. Those aren’t just qualities you need to hit dudes with a hammer; they’re qualities that will help you through daily life. Conan’s exaggerated, but in his own way, he’s not any more ridiculous than real-life uberachievers.
Thru Conan, Kull, and Bran Mak Morn, Howard asked the question ‘how much civilization is good for us, and how good is it at all?’ In Conan’s world, wealth and power are destructive and corruptive, and they grew from civilization. Whenever Conan dealt with ‘civilized’ people, they tried to use him, corrupt him, destroy him. His answer was to remain an individual.
In the first world, where keeping your mouth shut and being a good little corporate robot is personally beneficial but not necessarily the right or moral or humane thing to do, Conan is a reminder and an example of how to stay true to oneself.
Go ask some really dedicated Tolkien fans, and they’ll give you a detailed explanation of why the Lord of the Rings is relevant to modern society.
I think the difference between good and bad speculative/fantastic/weird fic is that the good stuff does expose some sort of fundamental truth about human life and about society. That’s part of what makes conan/LOTR/ Song of Ice and Fire so cool.
I mean, think about it–if it was pure escapism, true fantasy, we’d reject it because we’d have no way to see ourselves in it.
Wow this was sweet post! I had never heard Loudness before but they are pretty cool. Way back when Metal Inquisition had a post about barbarian metal that was pretty funny:
http://www.themetalinquisition.com/2009/03/kreators-barbarian-revolution.html
fantastic post! in addition to the Robert E Howard books, I highly recommend the Savage Sword of Conan comic as well: http://www.amazon.com/Savage-Sword-Volume-Graphic-Novels/dp/159582149X/ref=sr_1_6?s=books&ie=UTF8&qid=1336241154&sr=1-6
Every ‘banger should have a copy of Basil Pouledaris’ Conan the Barbarian OST to hand. Essential.
The art is awesome. The decapitation and all the stuff. Reminds me about Conan the Barbarian
Well chosen they don’t make them like that anymore!
Kreator wins
Excellent post but you missed “Stand up and fight” by Quartz.
http://axesofheavymetal.blogspot.co.uk/2009/07/quartz-stand-up-and-fight-1980-2004-re.html