
As humans, we all share a sense of morbid curiosity. It is inescapable. Even if it’s only the urge to look at a car crash, or an inner melancholia fulfilled by watching horror movies, we all have it, and we all satisfy it to a certain degree, in some way, throughout our lives. Death metal musicians certainly have it. We write about it, and display it proudly in our art and on our bodies. But what is death? What is the meaning of it, and how would we really react to it? I am all too familiar with it. I am a mortician.
Yes, a mortician. That’s still a valid term; though funeral director is the preferred nomenclature. It sounds safer and more approachable. Working in the funeral industry (or ‘death-care’ industry) I am surrounded by and confronted with death on a daily basis. My sense of morbid curiosity, and yes I certainly have one, is satiated tenfold. But what I do is far removed from the gore and necrophilia-laden lyrics of our favorite bands.
Balancing my roles at work, in my personal life, and in my musical life is not terribly difficult, but the roles do vary considerably. As a funeral director and embalmer, it is my job to assist families through the most difficult time of their lives. In a nutshell, my number one responsibility is to serve families. This ranges from taking a phone call at all hours (the ‘death-call’ – yep, that’s an industry term) to go to a residence or morgue or hospital room or hospice or medical examiner’s office to pick up a body. Picking up bodies is a job in itself; removals from any kind of facility are relatively easy, but residence calls can be tricky. Picking up a 300 pound woman who died face down on her bathroom floor in the back bedroom of a house with narrow hallways and steep staircases can be an exercise in humility.
You also have the family to consider. Their loved one has just died and you are there to take them away. Most times they are sullen, quiet, detached… they have not yet begun to process what is happening. At other times they are hysterical and unable to handle the situation. This is where my role starts.
We are there to comfort, but not to sugarcoat. We are there to help, but not to make what is happening fake. You cannot put a façade on death. We are taught in mortuary college not to use words or phrases like “passed away” or “moved on” or “expired” (Mama is not milk). You have to use firm language. “Your father died.” Dead. We are not counselors, but we can help assuage their grief momentarily. Our job continues once the body is in our care. We make arrangements for final disposition with the family, prepare the body, and, finally, perform the funeral rite based on the wishes of the family.
My role in all of this is to offer guidance, service, and anything else I can to help families through this difficult time. Now, how does this work for a militant atheist who is generally apathetic to absolutely everything around him? That, too, is an exercise in humility. I am not your typical misanthrope. Yes, I am pretty much disgusted by the society in which we live, but working in the profession I do allows me to put all that aside. I enjoy helping people. I get some kind of twisted fulfillment out of it. Helping someone else in need ultimately makes one feel a whole lot better about one’s own pathetic existence. But not in the same way that giving a bum a cheeseburger will make you feel like you did a good deed. When someone dies, something has to be done. These people are in need and we are there to help. I immensely enjoy my job, regardless of what banality it may entail. Believe me, I stand and stare at my feet through plenty of prayers. All this does not mean that I am some morbid, emotionless drone. I care about the people I help. Again, it goes back to the feeling of contentment which comes from helping someone else. I help because I can, but more-so because I am trained to do so.
That contentment also extends to the preparation of bodies. I am comfortable with death and grief. I handle it well, and I am not scared of a dead body. I would love to know how many death metal dudes’ knees would shake and stomachs heave at the sight and/or the smells of a real dead body. It can definitely get intense. And in the first six months of my work in this field, I saw just about everything I ever thought I would, and since then I have seen everything else. It may be clichéd, but I have seen things I will never unsee. But it does not keep me up at night, and that is where I differ from you. I am not your typical 30-year-old dude, nor am I your typical death metal musician. I wear a suit and tie 99% of the time. I rarely wear a metal t-shirt in public, and I own hundreds of them. I will run into you at Subway and have a normal conversation about the weather, but 10 minutes before that I was standing over a dead body having a conversation with someone else… about the weather. What I do behind closed doors is not the stuff of death metal fantasy, but clinical and sterile. Precise and calculated.
I work with the dead. I take them from their last, worst moment, and make them whole again. After the doctors, after the surgeries, after the car wreck, after the shotgun blast, after disease, after death, you come to me. I put you back together, bathe you, restore you, preserve and present you. I help you on your way to wherever you may go. In death there is calmness, stillness. The pain is gone; the noise of the world is over. The constant struggle to better one’s existence is null. In death we are now all equals. We are all shells of our former selves; we are in that perfect state of perpetuity. No matter how life was lived, or even how you die – of old age, or taken too soon. Whether a calm, peaceful death, or a violent, abrupt death: once we are dead, we are dead. There is not a hierarchy of death. No “my death is better than your death”. In striving for perfection, by definition we will find it upon our demise. It is something we will all have to accept, both for our loved ones and for ourselves.

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Pretty insightful and interesting piece for a dude that goes by the laughable moniker Ghoat.
Excellent thinkpiece. Nice fonts. Inspiring.
Well-written. Real nice post.
Pretty fascinating stuff. That last paragraph was like poetry.
I have to wonder, though, whether anyone you have worked with – as in colleagues or assistants or whatever – or worked for – as in, families, etc., who have used your services – has ever been aware (or become aware) of your ‘other’ life as a musician (or even just as a fan of death metal). And if so, what effect it might have had on them. I can sort of imagine some pretty uptight people having all sorts of issues on discovering that information – and probably for all sorts of fabricated or imaginary reasons.
I mean, I myself work in an accounting-related position by day, and I often wonder what people’s reaction might be if they learned I had also written and recorded songs from the point of view of an accountant who led a secret life as a serial murderer.
I imagine some people’s reaction would be every bit as extreme as though they had discovered that the songs were in fact autobiographical. I’m not saying that they are autobiographical! They’re just songs, of course. But some people don’t see the distinction, that’s the point I’m trying to make. I wonder how people who know you from your position in the mortuary industry would feel.
Thanks for this…great writing, very, very interesting…
Great read!! Pretty disturbing too
I always had a difficult time comprehending the label misanthrope; I had always assumed that term rang false because i figured the logical conclusion for a misanthrope would be to kill himself. As such, I appreciate the insight Ghoat provides on this matter. Who better to handle the disguting elements of death with clarity and logic than one who is disgusted with life, I suppose.
Thanks everyone so far enjoying the read. To answer ‘Valley of Steel,’ people I work with are somewhat in-the-know about what I do with my personal time. My boss, specifically, and I have had talks at-length regarding my views on religion, to which he respects greatly. He knows I am a musician, and I have explained to him that I listen to and play music that is very left of center, and very hard for the layman to digest. Luckily I work for very understanding people who do not care what I do outside of work as long as it does not disrespect or sully the name of our facility. His words – “I don’t care if you fuck goats, just don’t do it in my funeral home.”
But anything deeper than that, no, I keep it to myself. Parading around talking about my band called Enocoffination would not be wise. I am good at what I do and very respectful of it, and that is how I intend to keep it.
There are of course, people who absolutely would NOT understand my separation of work and music, or the fact that I am not a white sheep christian. Not only is my industry extremely conservative, I also live in a hotbed of close-minded religious delusion, the deep south. Hell, I get weird looks from some people now because I tell them I do not give a shit about football. They just do not understand why I think it’s a waste of time haha.
What a great idea for a piece, made even greater by the poignant description of your daily profession and your obvious passion for it. I remember being really intrigued when I first read about your career awhile back, because it’s rare for a death metal musician (or any musician) to be this familiar with death. We should do this as a series!
Justin, do you also do cremations? This was a excellently-penned piece, by the way.
Ghoat, thanks for sharing your perspectives here today and IO, for hosting.
I am very grateful there is people who would want to work as morticians and pathologists. I could never do that. I think it would affect too much, invade most of my thoughts because already know I think a great deal about my and other people’s death. In a way I both long and fear for dying.
I wouldn’t commit suicide (I think) but I do find comfort in the belief that death is final and there is no eternal salvation/damnation afterwards. Life is a such a struggle, I don’t need more thank you very much.
Thanks for an interesting article!
Thanks a lot for your writing, sincere, honest, compassioned but tempered by a healthy sense of duty, respect and of collaboration independent of any religion. Not easy to hear people speaking about death in such balanced way. But “balanced” is not the right word …
Your writing didn’t give me any sense of scare but of calmness, and your last words about the “democracy” of death are true, and relieving.
I love your music and, now that I came to know this bit about your life and your ideas, I admire you as a person as well very much.
\m/
County Medical Examiners did it already.
Also, what’s the difference between this and the treatise on black metal the Liturgy dude wrote? Besides all the inflated syntax used by the Liturgy dude. I mean, honestly. Don’t get me wrong, this was an okay read, but there certainly exists a double standard here.
I like Encoffination. O’ Hell is one of the best albums of the year, IMO, but this just seems unnecessary. I don’t need to know about your life, man. You write good tunes, why isn’t that enough? Also, how can a misanthrope so obviously clamor for attention and approval of his peers? Did you go to school to become a mortician to make your DM band cooler? Is your DM band cooler because you’re a mortician? Did you start a DM band as a direct result of being around death all the time? Sure, the internet is a wall we all constantly throw shit at, but this seems gimmicky and I don’t like it. No, sir, I don’t like it.
Maybe I’m still pissed for having to spend thirty dollars to get the latest LP from Poland. What the fuck? We live in the same country!
This to me is a perfect IO piece. It’s not a typical preview, interview or album review, but it stays within the parameters of metal. And above all, it’s very well written.
Well, first – CME are a contrived, made up act. It was all a show, a gimmick, and an interesting idea.
As for the Liturgy dude, I am not some spoiled trust fund baby spouting off manifestos about how I feel something (I.E. black metal/my job) should be approached, presented, and interpreted. My piece above is not a mastubatory rant nor a dissenting opinion of what I do.
I wrote the piece because Invisible Oranges asked me to. I didn’t just feel moved to spout off at the mouth about my personal life for no reason.
And, as I wrote in the article above, I explicitly stated why I chose the profession I do and again, it has nothing to do with playing death metal.
Thanks to everyone for the comments, and thanks for purchasing the album. Which LP did you purchase from Poland? My apologies, but we have as of yet only worked with foreign labels. I get copies of everything here in the states, but they go quick.
Also, to the poster several posts up, yes, where I work we own and operate a crematorium. Cremation makes up about 40% of the 250 bodies (+\-) we service a year.
As someone who works for a hospice organization, I found this piece to very poignant and relevant to my interests
*to be
Justin, good point on the Liturgy thing. I stand corrected, on one foot, the other in my mouth. I guess I really am just pissed about having to order O’ Hell from a Polish label. Nothing against the Poles. And the dude from SelfMadeGod was actually very accommodating and helpful. Man, what is it about the internet that brings the asshole out in me? I guess it’s jealousy or resentment. Maybe some day I’ll be teaching history at a college level and playing in a Bolt Thrower ripoof band based around the atrocities of WWI. Now who’s spouting off about his personal life for no reason?
But while I’ve got ya, why not do a repress of the split with Grave Upheaval? That shit rules and I’d love to behold the Bruegel artwork IRL.
Great piece! I have a friend who works in a morgue. There’s a great book titled “Tuesdays With Morrie” that deals with death and the processes involved in letting someone go. Highly recommended!
Excellent read, would love this to be even longer and delve even deeper into the nitty gritty of the job, but this definitely a great primer. If you guys are interested in further reading on this subject, I highly recommend Stiff by Mary Roach.
@EBG – we are planning a repress of the split with Grave Upheaval as a 7″. Psychedelic Lotus Order (China) will handle it. They did the 12″ version too. Go to http://archasmreleasing.com and sign up for the mailing list. That’s my site and the kind of ‘official’ store for my bands, as well as a small label. I always list Encoffination items there for US customers.
Stiff is an amazing book, very moving and very funny. I second the recommendation.
I also really enjoyed this piece. It’s a big step up from some of the empty trolling, poorly thought out rants, and digressive reviews that keep popping up here lately. More of this, less “yeah I said it.”
Very cool article. My mom works as a hospice nurse, so I’m a little familiar with the “dying” side of the death business, but it was enlightening to read about the other half of the game.
Also, I haven’t finished reading it yet, but The Undertaking: Life Studies from the Dismal Trade is an interesting take on a similar topic. It’s a collection of essays written by a poet/funeral director — there’s obviously no metal spin on the subject, but it’s morbidly fascinating nonetheless.
http://www.amazon.com/Undertaking-Life-Studies-Dismal-Trade/dp/0393334872/ref=sr_1_1?s=books&ie=UTF8&qid=1324145792&sr=1-1
fascinating read. No joke, I was at a funeral this morning and was thinking about stuff like this. At the wake/rosary last night, the priest (who was a friend of the man who died) looked utterly shaken up after the service ended and the family closed the casket. I was touched by how honest his reaction was. He does this for a living and kept a professional/straight face up til the final moment of the evening. Even the young woman from the mortuary team was teary eyed, I’m not religious by any means and yeah, was checking out my shoes & the arrangements during some of the prayers but couldn’t help but feel touched by the reactions from these people.
@Wash – I’ve read The Undertaking, as well as met/seen Thomas Lynch speak in person. He gave a seminar here in Atlanta last year entitled “Good Death/Good Funerals.” The guy is hilarious and very well spoken. He was also one of the technical consultants for the show Six Feet Under.
Funny enough, Ghoat wasn’t listed as being the main force in Father Befouled too.