Wesley Willis and Morbid Angel

Wesley Willis

Wesley Willis was one of a kind. I discovered him in the mid-’90s through the college radio station where I worked. Rock ‘N’ Roll Will Never Die — one of dozens of albums in Willis’ discography — was a big favorite at the station. Each song featured basically the same music, a keyboard demo song in various keys and speeds. (24 songs of this recalls the Greensleeves Rhythm Album dancehall reggae compilations, which feature different singers constructing songs over the same backing track, or “riddim.”) The songs all had the same form: three verses of four lines each, each followed by a chorus repeating the title, then a closing of “Rock over London, rock on Chicago,” followed by a corporate slogan (e.g., “Dunkin’ Donuts: It’s Worth the Trip”). Their surreality is unmatched. For a taste, try these songs about Morbid Angel and Bolt Thrower.

Morbid Angel
Bolt Thrower

Music like this does not come from a normal person. And Willis was not normal in any sense. As the blog O Canadarm! put it:

Chicago has produced many great things: The Bulls, wind, and the Bulls. But nothing has been more culturally important and groundbreaking than Wesley Willis, a 300-pound schizophrenic black man who is quite possibly the greatest 300-pound schizophrenic black man who ever lived.

Willis’ life was extraordinary, from a broken childhood in the projects to being discovered as a street musician and getting signed to Alternative Tentacles and American Recordings. His dubbed his paranoid schizophrenia “Warhellride,” a rather metal descriptor. He was also a talented artist. His subject was Chicago’s urban landscape. For samples of his often beautiful drawings, see here and here. Willis died at age 40 in 2003 from leukemia. Judging from his many eulogies here, he touched the lives of many. Rock over London, rock on Wesley. Thank you for providing the first thing that comes to mind when I hear the name Morbid Angel.

- Cosmo Lee

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