Khold – Hundre

by Cosmo Lee

Khold’s schtick is cool, so to speak – black metal that trades not in blastbeats and anguished rasps but midpaced, head-nodding grooves and commanding growls by a cross between Galder and the Phantom of the Opera. Until now, though, the band has been utterly mediocre. Previous albums were slow seemingly because the band couldn’t play faster; blastbeats felt desultory, and riffs came cheap.

Hundre År Gammal
Mester Og Trell

However, Hundre År Gammal (Tabu/Candlelight, 2008) is a different beast. The band has trimmed its fat – no superfluous double bass, every note in its place. Such minimalism runs counter to black metal’s usual atmospheric haze, but it’s much more powerful. Reference points include Satyricon’s Now, Diabolical and later Darkthrone if they gave a damn. Both these entities have been much maligned, but the first half of Now, Diabolical is some of the most sinister metal in the past five years, and later Darkthrone = idiot savant demos.

This record feels like muscles, built yet lean. Blastbeats are at a minimum, dropping only to lash like whips. The massive production highlights the band’s complete control over its faculties. Audible bass! Drums with groove! This is quite the neck workout. Oh no, an announcement: “We are sorry to announce that Khold has been put on ice for an undetermined length of time.” Chills, baby, chills.

Buy:
Amazon (MP3)
The End (CD)
Candlelight (CD)